King of Ragtime recreates the excitement of these pioneers, who dreamed of greatness as they sought to expand the limits society placed upon their race. The composer emerges as a representative of the first post-Civil War generation of African Americans, of the men and women who found in the world of entertainment a way out of poverty and ![]() Berlin also reveals that Joplin was an associate of Irving Berlin, and that he accused Berlin of stealing his music to compose Alexander's Ragtime Band in 1911.īerlin paints a vivid picture of the ragtime years, placing Scott Joplin's story in its historical context. He shows how Joplin's opera Treemonisha was a tribute to the woman he loved, a woman I’ve been drawing pictures and writing stories for as long as I can remember, but when I started taking piano lessons in the 6th grade, a door swung wide open. His biography truly documents the story of the composer, replacing the myths and unsupported anecdotes of previous histories. My name is Stephen Costanza and I’m an illustrator/author of picture books. This celebration of Scott Joplin, whose ragtime compositions paved the way for jazz, will captivate audiences and put a beat in their step, and the kaleidoscope-like illustrations will draw young readers in again and again. Trained musicologist, he has uncovered a vast amount of new information about Joplin. Scott, the son of a man who had been enslaved, became a kingthe King of Ragtime. A renowned authority on Joplin and the author of the acclaimed and widely cited Ragtime: A Musical and Cultural History, Berlin redefines the Scott Joplin biography. This book follows his life from a child all the way to his success. Not only was he a talented musician, especially in this genre, but he can also be seen as the one, who introduced it to the world. Was performed both in opera houses and on Broadway.ĭestined to be the definitive work on the man and his music, King of Ragtime is written by Edward A. Scott Joplin is also called the King of Ragtime. ![]() While reaching a Top Ten position in the pop charts, Joplin's music was also being performed in classical recitals and setting new heights for sales of classical records. Never before had any composer's music been so acclaimed by both the popular and classical music worlds. Led by The Entertainer, one of the most popular pieces of the mid-1970s, a revival of his music resulted in events unprecedented in American musical history. In 1974, the academy award-winning film The Sting brought back the music of Scott Joplin, a black ragtime composer who died in 1917.
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