Your use of any information or materials on this website is entirely at your own risk, for which we shall not be liable. You acknowledge that such information and materials may contain inaccuracies or errors and we expressly exclude liability for any such inaccuracies or errors to the fullest extent permitted by law. ![]() Neither we nor any third parties provide any warranty or guarantee as to the accuracy, timeliness, performance, completeness or suitability of the information and materials found or offered on this website for any particular purpose. The content of the pages of this website is for your general information and use only. ![]() The use of this website is subject to the following terms of use: The term ‘you’ refers to the user or viewer of our website. The term ‘Discrepancy Records’ or ‘us’ or ‘we’ refers to the owner of the website whose registered office is. If you disagree with any part of these terms and conditions, please do not use our website. If you continue to browse and use this website, you are agreeing to comply with and be bound by the following terms and conditions of use, which together with our privacy policy govern Discrepancy Records’s relationship with you in relation to this website. It’s not so much looking backwards as it is just looking around, reflections on all that is human and divine and present, and the roads we’ve taken to get us there.Welcome to our website. He distills decades of friendship, brotherhood, family, love, learning, and loss into flickering piano portraits - impressionistic and fluid and reverent. Through composing the music, he began to reflect on specific and important presences in his life, and ends up capturing their essence via keys here. When Cook began these songs, he was in the headspace of meditating on the people in his support network, and those closest to him. The resulting "All These Years" record is near hymn-like, a collection of prayers or meditations, improvisations threaded together by feeling, by the things that matter most. It’s also where Cook’s wife, Heather, worked for years for his family, it’s like a second home. The church’s cavernous space has long been integral to Cook’s day-to-day life as an artist - a venue that suggests music as a higher power, and art-making as a form of worship - a place that elevates the act of writing a song to something beyond sacred. "All These Years" feels like starting over, or like a return, trimming everything back to its original starting place. ![]() Piano is where Cook is the most expressive, an easy, free flow of emotional output. These ten pieces came to life on a long-cared-for and much-loved one-hundred year -old Steinway over a week in the spring of 2021. Cook and Joseph have been close their entire lives, with Joseph being one of the people who knows the full depth of Cook’s relationship to the instrument. "All These Years" is Cook’s first solo instrumental album on his primary instrument, recorded at NorthStar Church of the Arts in Durham, NC by his cousin and collaborator Brian Joseph (Bon Iver, Sufjan Stevens, Indigo Girls). In that way, "All These Years" is sort of the first proper introduction to Cook, to the way he can express himself with the most ease and reveal the deepest compartments of his heart. But even across all the work he’s done in his decades as a musician, he’s yet to release a proper piano album. A sweet and affable presence whose musical dexterity elevates every project he touches, Cook’s musical output and true sound has been hard to pin down. A prolific songwriter, multi-instrumentalist, solo artist, and in-demand musician whose collaborations have run the gamut of genre - as a founding member of beloved band Megafaun to work with The Blind Boys of Alabama, Bon Iver, Kanye West, and Hiss Golden Messenger, to name a few - Cook has always been a musician’s musician. For Phil Cook, it all started with piano.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |